The Tale of the Twelfth : The Desk

from my storybook Paradox of fiction

Life is nothing more than a desk with three drawers. Three tiers that we fill with all sorts of things – those we need and those we don’t. Each drawer has its purpose, its logic, its role.

The first drawer thrives on chaos. It always has. We fill it with things we keep coming back to, even though they’re hopelessly scattered. Photos, old concert tickets, keys whose locks we’ve long forgotten, notes, random quotes scribbled on the back of receipts. Order exists here only briefly – right after every attempt to tidy up. Then, it falls back into its natural state: chaos. This drawer is our wild side, living in the moment, trying not to dwell too much on the past or obsess over the future.

The second drawer is neater, calmer. Things are placed here more deliberately. Contracts, unfinished manuscripts, half-formed ideas waiting for their moment. It has its order, but not so rigid as to stifle the joy of discovery. This drawer is like our thoughts, sorted but not yet fully understood. It’s where we set aside our dreams and plans, waiting for the right time to bring them to life.

The bottom drawer is the least used, yet perhaps the most important. It holds the essentials – the things we always need within reach but prefer out of sight. Its order is absolute because we only open it in moments when there’s no time to waste. Here lie our foundations – documents no one reads until they’re needed, memories that shaped us but remain tucked away. The bottom drawer is logic, a safety net, the last resort.

But… what if there were a fourth drawer? A secret one, hidden in the back of the desk, known to few and feared by all. This drawer holds what we dare not admit to ourselves: guilt, failures, forbidden desires, things we buried believing we’d never have to confront them again. It’s locked, but we always have the key in our pocket. Sometimes it tempts us, whispers to us, begs us to open it. And when we do, we can lose ourselves for hours – or years.

Every story, every memory, every experience belongs to one of these drawers. Some are born for the first drawer – chaotic and full of emotion. Others find their place in the second, waiting to become something more. Then there are those that force us to open the bottom drawer, reaching deep to remember everything we’ve already survived. And the most painful ones? They end up in the secret drawer, lying in wait until the day we’re brave enough to face them.

Time marches on relentlessly. And as we grow older, we wish our entire desk resembled the bottom drawer: tidy, logical, safe. We crave order. But what if that order signals the end? What if it’s the disorder of the first drawer – its scattered memories and untamed ideas – that keeps our hearts young? What if it’s the chaos that drives us to keep living?

Foggy wiev

And so, we return to the desk, to our drawers. We open them, sift through them, deciding what to discard and what to keep. But that secret drawer? Perhaps it will never truly close. Because sometimes, it’s what we tried hardest to forget that ultimately teaches us how to live.

And honestly, I’ve got a mess in every single one of them.

All photographs and texts are my own and are protected by copyright law. Their use is permitted only with my written consent. MIC©

A “tragedy”

Once upon a time, there was a wee “Wanna”. Just your regular, bog-standard Wanna. Nothin’ too flash, just a plain ol’ Wanna. It fancied everythin’. This, that, the other, and Jaysus, it couldn’t go on without the whole lot. Wanna knew that if it didn’t holler, no one would know what it fancied. So it started yappin’: “I’m mad keen, so I am!” But not in front of everyone, mind. Just sendin’ whispers over the airwaves. Whoever tuned in could hear it.

By some feckin’ chance, a “Notions” picked up on it. (That was Wanna’s own fault, really. It was mad for Notions.) Beautiful, untouchable Notions. Nah, I’m not havin’ it, Notions said. I don’t fancy it. Not from you, not from anyone.

Now, this was a right kick in the arse for Wanna. “Why d’you not fancy it?” Wanna typed over the air.
“Eh? What’s it to you?” Notions shot back.
“Just tell me!” Wanna pleaded.

But Notions was havin’ none of it. No matter how much Wanna yapped on, Notions stood firm. “Listen here, ya eejit,” Notions said. “It’s nothin’ to do with you, but I don’t fancy it. Get it?”

Poor Wanna was desperate. It stretched itself three feckin’ meters tall, all puffed up. A proper sight to behold. Notions nearly dropped dead from the fright. “Get away from me, you big mad yoke! I don’t want you anywhere near me!”

Wanna was gutted. Properly deflated. Like an old airbed with a hole in it, lettin’ all the air out, slow and steady. It got smaller and smaller until it was just a wee scrap of itself. Barely there at all.

“Notions, please…” Wanna muttered.
“Please what?” Notions snapped.
“Please fancy me.”
“Not a chance,” Notions said. “And stop yer beggin’, ya sap.”

“I’m wearin’ me best trousers,” Wanna whimpered.
“Still don’t fancy it,” Notions smirked.
“Chancers like you don’t get the time o’ day,” Notions added.

“Chancers like you,” came a voice from above. “Will be stuck together. Forever.”
The big fella in the sky wasn’t takin’ no for an answer. And so Wanna and Notions were stuck, together but apart, arguin’ into eternity.

Listen close, and you can still hear ’em.
“Wannaaaa…”
“Not havin’ it!”

All photos and story are my own and copyrighted. It use is prohibited without my written consent.MIC©

Ordinary shots….

Before everyone woke up at home, I cooked lunch (roast goose). Now it’s time to share a few ordinary BW shots ….😉📷🎞🌞

  • Nikon F50, Nikon F4, Pentacon Six TL, Decrullo-Netell, Fujica ST901, Bronica S2
  • a mix of cheap lenses ranging from 14mm to 240mm
  • homemade developers, either mixed according to original formulas or based solely on knowledge of chemical reactions. Except for ADOTECH IV (I haven’t managed to decipher that formula yet)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

I’m constantly on the go…..

I haven’t really stopped at all over the past two years, except for a short vacation in Catalonia this year. Even though I always carry an arsenal of cameras and different types of film, I rarely get the chance to take them out of the car to capture a shot. Still, I have a few shots that I’d love to share with you.

  • Nikon, Bronica, Contax,…
  • expired: Kodak, Ilford, Fomapan, Adox,…
  • I still only use developers that I mix myself at home
  • The featured photo is the only one taken with my old D800, which I still haven’t given up on

And a bit of music to wrap things up. Unlike me, my son doesn’t let the muses sleep…

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

homo homini lupus ….

  • place : Auschwitz II-Birkenau :extermination camp
  • Flexaret VII (6×4,5) + Nikon F4
  • Fomapan 100 + Kodak5222
  • Diafine + D76

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©