Category Archives: 35mm

Superia 400

Yesterday, so as not to get wet, I only photographed the objects I saw from under the umbrella we have in the garden. I often use the Fujicolor Superia 400. Although don’t really understand with purple color, I like to take pictures with it. You can make a black and white photo of it at any time.

Nikon F50, 135mm, Fujicolor Superia 400, C41 Tetenal color

In memory …

of my rock life, I kept only a few strings from my instruments. And those strings still play in the spotlight… but only I can hear their tones.

Nikon F50, 135mm MF, Superia 400, C41, switch to BW

sometimes …

the photo works and sometimes it fails. Today is one of those days when one should not leave the house. It’s cold and it’s raining a lot. As I get used to the intensity of the rain, the rain intensifies. So I quickly took a few remaining shots of the film and went to develope it. Even when pulling the film cassette out of the camera, I managed (thanks to the orthosis on my left hand) to somehow insert my finger through the lamellae of the camera shutter. One by one I pushed back there and it looks like everything is working as it should. After developing the film, I found out that a few images on the negative are scratched (probably due to the orthosis on the left hand again). I decided to correct one of these images in PS and I even colored him. This is not an art. I only regret any images that are unusable.

Canon EOS 500N, Sigma 70-300mm APO, Fomapan F400, Photoshop

Pictures of wooden chronicles …

Each tree has its own chronicle. Maybe that’s why we learned to make paper from wood 🤔👁📷

Canon EOS 500N, Sigma 70-300 APO Macro, Fomapan F400 footage

in cold blood ….

Placing any point in the golden ratio will force the observer to beholder what you want them to watch. Something makes you look at places that are not interesting at all. The magic of the golden ratio.

Canon EOS 500N, Canob 1,7/50mm STM, Fomapan F400 footage

the old well …

Canon EOS 500N, Canon 1.8/ 50mm STM, Fomapan F400 footage + Nikon D50, Sigma 17-35mm, Superia 400 + D800 (intro)

The opening image consists of two images. I only had a 135mm lens with me on DSLR Nikon. So that the whole cage of the well and the roofs of the house was in the shot, I solved it by merging two shots.

Canon EOS 500N

Nikon D50

extra ordinary BW shots …

As like a remote control, the photographer controls the observer’s eyes. The yesterday’s shots.

Canon EOS 500N + Canon 1,7/50mm + Fomapan F400 footage + D800(unframed)

black hole sun …

Inspired by Soundgarden – Black hole sun

Canon EOS500N+Leica R7

Soundgarden – Black hole sun

In my eyes
Indisposed
In disguises no one knows
Hides the face
Lies the snake
And the sun in my disgrace
Boiling heat
Summer stench
Neath the black, the sky looks dead
Call my name
Through the cream
And I’ll hear you scream again
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Won’t you come
Stuttering
Cold and damp
Steal the warm wind, tired friend
Times are gone
For honest men
Sometimes, far too long for snakes
In my shoes
Walking sleep
In my youth, I pray to keep
Heaven send
Hell away
No one sings like you anymore
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come? (Black hole sun, black hole sun)
Hang my head
Drown my fear
Till you all just disappear
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come
Won’t you come

when the time comes…

Sometimes we say it happened at the right time, or it happened at the wrong times, or we don’t have time. Sometimes we make time. And we’ll give it some time. Although time is just a math tool. The universe does not need time to exist. When it is, it will be. This is exactly how the universe works. I hope I didn’t stole too much of your time with this thought.

Canon EOS 500N, 50+70-300mm APO, Superia 400, C41

into the arc …

The weather was really bad yesterday … the rain showers gradually turned into persistent rain. So I hid in the passage and waited. At home, I then apologized to my old cameras.

Leica R7. VE 28-70mm, Fomapan F400 footage

The father accompanies the son ..

Like the dad in the opening photo, I accompanied my son to the graduation exam yesterday, which he passed without any problems. Before he finished the exam, I had a few hours to find the right light. My son was definitely more successful at the test yesterday than I was at the photo shoot…

Nikon & Leica

drops anatomy …

On our small square, a fountain was installed a few years ago, which shows the impact of the drop on the water surface. I like it very much. Especially when before that our square was decorated only with a gas station. I think I took a picture of her recently when the small fountain hadn’t been started yet.

Mix of Nikon SLR & Nikon DSLR photos

analog panorama…

Surely you have tried to take a picture of panorama of a landscape. You then combine the few images into a panorama in a program. You get a wonderful wide angle shot of high quality. Today, thanks to the software, it is just as easy even for analog images.

I took the following four pictures by hand, without a tripod.

I scanned the negative and merged it in Lightroom program. Of course, it was obvious that I did not take a picture from a tripod. The important thing is that the perspective is not distorted in any way.

Then I cropped the image … added the sky in PS. And the panorama of the agricultural silo in the resolution of 15698 x 6159 pixels was in the world. It’s not a masterpiece, but the fact that it’s taken with a $ 20 camera is not a bad result. If you do mind that in some of your photos, the buildings are distorted because you don’t have a Tilt Shift lens … you can easily make a panorama and everything will be pretty straight 📷

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