While winter on the hill is dominated by a firm hand, they are foggy 400 meters below the hill. Then I feel like I’m from another planet when I drive between their clean and colorful cars with my snowy car ….
Leica R7,28-70mm. SuperiaLeica R7,28-70mm, Superia switch to BW
Three days ago, I tried to photograph the movement of snow in the wind on a hill near the house. There was one picture left in the old Flexaret and six pictures left in Leica. It was supposed to be just a short way up the hill. The blue color of the sky disappeared very quickly. The tire tracks disappeared after a few seconds. For about an hour I tried to find the place where I parked my car. And now I’m lying on the third day with a cup of tea with honey and lemon.
Flexaret II, Fomapan F21 expired 1974Leica R7, 28-70mm, Superia switch to BWLeica R7, 28-70mm, Superia switch to BWLeica R7, 28-70mm, Superia switch to BWLeica R7, 28-70mm, Superia switch to BWLeica R7, 28-70mm, Superia
A set of photos taken on Leica, Flexaret (II-VII), Nikon cameras.
Nikon D800, 14mmFlexaret II, 80mm, full analog processFlexaret VII, 80mm, full analog processLeica R7, 28-70mm,foggy, full analog processLeica R7, 28-70mm, full analog process
Full analog process, Flexaret II (1947), Mirar 80mm, Fomapan 100 expired 2004, multiexposure f5,6 / SS 2 x 1/10 sec, 300W lamp , developed in Caffenol CM
My beloved wife had a modest wish yesterday. She wanted new pictures with old cameras on the wall. The introductory picture was just such an attempt if the camera still works … taken with a Flexaret II camera from 1947. The other two pictures are already taken on a DSLR
My son Jared is celebrating his 19th birthday today. He grew up to be a phenomenal composer and an excellent guitarist. So let him still it compose and play for you, dear son .
Taking a picture of a sparrow with a 135mm manual lens from ten meters is stupid. Sparrows made fun of me all day. I didn’t give my leather cheap today, but the result is depressing. Sparrows vs. Mic – 10: 0 😁
A discarded banana peel on a highly polished black table combined with a negative film that expired in 1986. Defects in the negative created an interesting background texture.
Full analog process Canon EOS 500N, 50mm, Fomapan F21 (exp.1986), Kodak TMAX
A few posts back I wrote about the ability of analog devices to freeze during a frostly weather. Above the developed images, I then wondered why I photographed these two “compositions”. I didn’t take pictures of them. The camera took them myself as I hiding him in my backpack. Maybe Skynet…
Full analog process Contax 139 Quartz, Fujicolor XTRA 400, switch to BW
you can take pictures of the remaining pictures and then see what you actually took on the walk. Maybe in the end you will find out that you like the remaining pictures, taken just like that, more than the ones you froze outside …
Full analog process Contax 139 Quartz, Hoya 35-105mm, Superia XTRA 400, Kodak TMax professional
Or it simply looks like an idyll. It’s a beautiful sunny day, full of colors. One should almost want to apply sunscreen and lie down on the grass. However, all you have to do is face backwards and it is clear that the idyll is only in the picture. – 18 ° C, and northern ice wind. My breath turns on the ice on the bodies of cameras. There’s nothing you can do … there’s an idyll at home, too.
Full analog process Leica and Contax, Superia XTRA 400…
The image from the digital nikon shows frozen trees that are only twenty meters higher.
The image from the digital nikon shows frozen trees that are only twenty meters higher.
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