A “tragedy”

Once upon a time, there was a wee “Wanna”. Just your regular, bog-standard Wanna. Nothin’ too flash, just a plain ol’ Wanna. It fancied everythin’. This, that, the other, and Jaysus, it couldn’t go on without the whole lot. Wanna knew that if it didn’t holler, no one would know what it fancied. So it started yappin’: “I’m mad keen, so I am!” But not in front of everyone, mind. Just sendin’ whispers over the airwaves. Whoever tuned in could hear it.

By some feckin’ chance, a “Notions” picked up on it. (That was Wanna’s own fault, really. It was mad for Notions.) Beautiful, untouchable Notions. Nah, I’m not havin’ it, Notions said. I don’t fancy it. Not from you, not from anyone.

Now, this was a right kick in the arse for Wanna. “Why d’you not fancy it?” Wanna typed over the air.
“Eh? What’s it to you?” Notions shot back.
“Just tell me!” Wanna pleaded.

But Notions was havin’ none of it. No matter how much Wanna yapped on, Notions stood firm. “Listen here, ya eejit,” Notions said. “It’s nothin’ to do with you, but I don’t fancy it. Get it?”

Poor Wanna was desperate. It stretched itself three feckin’ meters tall, all puffed up. A proper sight to behold. Notions nearly dropped dead from the fright. “Get away from me, you big mad yoke! I don’t want you anywhere near me!”

Wanna was gutted. Properly deflated. Like an old airbed with a hole in it, lettin’ all the air out, slow and steady. It got smaller and smaller until it was just a wee scrap of itself. Barely there at all.

“Notions, please…” Wanna muttered.
“Please what?” Notions snapped.
“Please fancy me.”
“Not a chance,” Notions said. “And stop yer beggin’, ya sap.”

“I’m wearin’ me best trousers,” Wanna whimpered.
“Still don’t fancy it,” Notions smirked.
“Chancers like you don’t get the time o’ day,” Notions added.

“Chancers like you,” came a voice from above. “Will be stuck together. Forever.”
The big fella in the sky wasn’t takin’ no for an answer. And so Wanna and Notions were stuck, together but apart, arguin’ into eternity.

Listen close, and you can still hear ’em.
“Wannaaaa…”
“Not havin’ it!”

All photos and story are my own and copyrighted. It use is prohibited without my written consent.MIC©

Ordinary shots….

Before everyone woke up at home, I cooked lunch (roast goose). Now it’s time to share a few ordinary BW shots ….😉📷🎞🌞

  • Nikon F50, Nikon F4, Pentacon Six TL, Decrullo-Netell, Fujica ST901, Bronica S2
  • a mix of cheap lenses ranging from 14mm to 240mm
  • homemade developers, either mixed according to original formulas or based solely on knowledge of chemical reactions. Except for ADOTECH IV (I haven’t managed to decipher that formula yet)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

I’m constantly on the go…..

I haven’t really stopped at all over the past two years, except for a short vacation in Catalonia this year. Even though I always carry an arsenal of cameras and different types of film, I rarely get the chance to take them out of the car to capture a shot. Still, I have a few shots that I’d love to share with you.

  • Nikon, Bronica, Contax,…
  • expired: Kodak, Ilford, Fomapan, Adox,…
  • I still only use developers that I mix myself at home
  • The featured photo is the only one taken with my old D800, which I still haven’t given up on

And a bit of music to wrap things up. Unlike me, my son doesn’t let the muses sleep…

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

Ansco 130

Lately I like to use the Ansco 130 positive developer again after years. But I’ve only recently started using it as a developer for developing negatives. Basically, I leave any negative film (120) motionless for 45 minutes in the developer.

  • Kodak TMAX 400, Ilford HP5+, Ilford F PAN +, Fomapan 100……
  • Ansco 130(homemade) dilution 1+20
  • 45min

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

homo homini lupus ….

  • place : Auschwitz II-Birkenau :extermination camp
  • Flexaret VII (6×4,5) + Nikon F4
  • Fomapan 100 + Kodak5222
  • Diafine + D76

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

games of the light…

I haven’t posted in a very long time. Sometimes it happens that nothing seems to be happening around, or the second case when there is too much going on and then there is no free time left for fun. That’s why I’m only adding a few shots while playing with the light and the developing in the studio

  • Nikon F4 + MF Samyang 2/135mm
  • Fomapan F100 +1 EV
  • pseudosolarization process with Rodinal & red light
  • Fomabrom C112 + Bürki@Jenny WT

  • Nikon F4 + MF Samyang 2/135mm
  • Fomapan F100 +1 EV
  • pseudosolarization process with Rodinal & red light
  • Fomabrom C112 + Bürki@Jenny CT
  • Bronica S2 + Nikon P 2,8/75mm + YF
  • TK100 (technical negative)
  • Rodinal 1:25
  • Fomabrom C112 + Bürki@Jenny CT

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

Lisbeth Salander is waiting…

Summer is probably over here, it’s gotten colder and it’s raining a lot. And so in the morning I look out the window…together with Lisbeth 🙃🎞📷

  • Bronica S2 + Nikkor P 200mm + ext.tubes
  • Fomapan 100@100 + FX 37 (first time)
  • Fomabrom N + Bürki@Jenny CT

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

back to the childhood

Every summer I travel to places where I spent my childhood. And sometimes I’m allowed to take pictures of my current childhood. I would ask the father of the little boy in the water to write to me so that I can send him a photo in better resolution…. 🙃🎞📷

  • Zenza Bronica S2 + Nikon F4
  • Nikkor P 75mm+ YF + Sigma 17-35mm
  • Foma Ortho 400 + Kodak 5231
  • D76

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

Variations with Pyro Plus…

I’ve been tuning the PYRO Plus positive developer this week. By adding a certain amount of pyrogallol at the expense of pyrocatechin. With some combinations of these two developing agents, toning of photographs is no longer necessary . However, the papers must be placed in the bowl with the sensitive layer facing up. Otherwise, you may see streaks from the ribbing on the bottom of the bowl in your photos🙃📷🙏

  • Bronica S2A + Nikon P 75mm
  • Fomapan Ortho 400 + yellow filter+ Agfa Rodinal 1:50,25°C
  • Fomabrom Variant 112 + PYRO Plus ( different variants)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

theme: grain & wind…red weed…hand

Those who have known me for a long time know that I always take pictures with several cameras. Why? Nobody puts my cameras in the corner …🙃📷🎞

  • Bronica S2 + Nikon F4
  • Nikkor P 2,,8/75mm+Sigma Apo 2,8/17-35mm
  • Fomapan F100@200 + Kodak 5231 exp 2009
  • Agfa Rodinal 1:25 + FX 37 1:3 + Diafine
  • Fomabrom Variant 112 split grade + Burki@Jenny CT (intro with sepia toner)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©