the multi-coffin…

  • Zenza Bronica S2
  • Nikon Nikkor P f4/200mm + ext. tubes
  • 30 sec exposure
  • technical negatives TK100 + 510Pyro dev.

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

ortho Misha…

The day before yesterday, based on a discussion about the use of orthographic material, I decided to make it easier for a colleague whether to use these materials for portrait photography as well. Shooting on this material without using filters makes no sense. So if you want to use orthographic materials for portraits, you will definitely appreciate the use of yellow filters. The images will be beautifully contrasted from the whole range of black colors to brilliant white…

  • Pentacon Six TL + CZ Flektogon 50mm Zebra
  • Ilford Ortho Plus 80 + 510Pyro(homemade)
  • Fomabrom C112 + Dektol (homemade)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

MG Fomabrom Variant vs. Fomabrom C112

I will not reveal anything new to experienced darkroom technicians. When printing photos in a darkroom, we can use photo papers in three degrees of gradation. Soft, normal and hard. Or we use multigradation papers, when we control the gradation of the resulting photo using filters. We use the yellow filters to reduce the gradation and the purple filters to increase the gradation.

  • Pentacon Six TL + CZ Biometar 50mm Zebra
  • TK100 + MP271
  • MG Fomabrom Variant & Fomabrom C112 + Dektol

The first photo was exposed for 4 x 3 sec. total 12 sec. The first 9 seconds were with the use of a yellow filter and the last 3 seconds without a filter on MG papers Fomabrom Variant

The second photo was a 9.sec print on ordinary Fomabrom C112 with hard gradation….

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

MP 271

The final version of the own two-bath negative developer was named MP 271. At the moment, it is only tested on Fomapan 100 negatives. It achieves slightly better results on 35mm negatives, which is fine with me, because this is how I radically reduce the costs of analog photography 🙃📷

In the upper part of the linear scan of the negative, it is shown how it develops the first bath.(correct,-1EV,+1EV) At the bottom of the picture is the negative after the complete chemical process .(correct,-1EV,+1EV) .

The second image is a linear scan of the negative at the correct exposure.

The following picture is from this morning in medium format

  • Bronica S2 + Nikon P 200mm + ext. tubes
  • Fomapan 100 + MP271 dev
  • scan

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

MIC12-77

The soft working leveling two-bath own developer with name MIC12 -77. Why 77? A seven minutes for a first bath and a seven minutes for a second bath.

  • Bronica S2 + Nikon P 75mm
  • Fomapan 100 + MIC12-77(dev)+TF2(fixer)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

TK100 & D76(ID11) homemade

I recently tested the behavior of TK100 roll film with D76 developer. TK100 is essentially Fomapan 100, but bought by the meter. This means that you can roll a 1-frame film under the cover strip yourself, or you can roll a 220 roll if you have a camera that allows you to take up to 24 frames in the 6×6 format. Because I needed to test the Kodak D76 (Ilford ID11) developers I had mixed, I always got by with four images in a roll, for each attempt of a differently lit scene.

  • Bronica S2
  • Nikon P 2,8/75mm

The picture is taken in the dark garage of an old repair plant. However, a fifteen second exposure allowed me to capture as much reflected light as possible.

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

Hello all!

An attempt to upgrade the wordpress version caused irreparable damage to the website. So I’m starting from the beginning again…