Tag: dark room

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games of the light…

I haven’t posted in a very long time. Sometimes it happens that nothing seems to be happening around, or the second case when there is too much going on and then there is no free time left for fun. That’s why I’m only adding a few shots while playing with the light and the developing in the studio

  • Nikon F4 + MF Samyang 2/135mm
  • Fomapan F100 +1 EV
  • pseudosolarization process with Rodinal & red light
  • Fomabrom C112 + Bürki@Jenny WT

  • Nikon F4 + MF Samyang 2/135mm
  • Fomapan F100 +1 EV
  • pseudosolarization process with Rodinal & red light
  • Fomabrom C112 + Bürki@Jenny CT
  • Bronica S2 + Nikon P 2,8/75mm + YF
  • TK100 (technical negative)
  • Rodinal 1:25
  • Fomabrom C112 + Bürki@Jenny CT

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

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lith & Lilith…

I spent several long nights experimenting with my own positive developer, with which I could make photographs with and without grain, black and white and monochrome, and most importantly to make it suitable for lith print… just the holy grail. In combination with the paper used, I managed to achieve quite interesting results. I used one pack of Fomabrom N 112 for testing. At the moment when it became clear that this developer, composed of three solutions, can do a lot of effects depending on the given ratios, I used Fomatone MG clasic 132 paper. Because the lith print result seems really great to me, I named this developer Lilith The basis of this developer is the excellent negative developer 510Pyro in a dilution of 1:200. By mixing the other two solutions in different proportions, we get an almost infinite number of combinations of the results in the photo 🙃🎞📷🖼

First exploration of this developer’s abilities on Fomabrom N112 papers

  • Nikon F4 + Nikkor f1,4/50mm
  • Kodak 2237 ISO 1@12 (push 3EV) + 510Pyro
  • Fomatone MG132 classic + Lilith(own formula of developer)
classic print
lith print

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

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Lisbeth Salander is waiting…

Summer is probably over here, it’s gotten colder and it’s raining a lot. And so in the morning I look out the window…together with Lisbeth 🙃🎞📷

  • Bronica S2 + Nikkor P 200mm + ext.tubes
  • Fomapan 100@100 + FX 37 (first time)
  • Fomabrom N + Bürki@Jenny CT

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

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roll no.: 35206023

Today, while waiting in the parking lot, I asked two drivers if I could take pictures of their vehicles. Neither of them refused. And that doesn’t happen to me often 📷🎞🙃

  • Nikon F4 + Sigma APO f 2,8/17-35mm
  • Foapan 100 pushed 1EV + Agfa Rodinal 1:25
  • Fomabrom Variant 112 (split grade)+ Burki&Jenny CT

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

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Fomapan 100 push to 800…

I did another test with my two-bath MP271 developer, which advanced the Fomapan 100 film by 3 EV. The result looks pretty decent. Don’t expect any artwork though, but the result surprised me.🙃📷

  • Nikon F50
  • MF Samyang f2/135mm + Sigma f1,8/20mm aspherical
  • Fomapan 100 + two bath developer MP271
  • scanned negative

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

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ortho Misha…

The day before yesterday, based on a discussion about the use of orthographic material, I decided to make it easier for a colleague whether to use these materials for portrait photography as well. Shooting on this material without using filters makes no sense. So if you want to use orthographic materials for portraits, you will definitely appreciate the use of yellow filters. The images will be beautifully contrasted from the whole range of black colors to brilliant white…

  • Pentacon Six TL + CZ Flektogon 50mm Zebra
  • Ilford Ortho Plus 80 + 510Pyro(homemade)
  • Fomabrom C112 + Dektol (homemade)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

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MG Fomabrom Variant vs. Fomabrom C112

I will not reveal anything new to experienced darkroom technicians. When printing photos in a darkroom, we can use photo papers in three degrees of gradation. Soft, normal and hard. Or we use multigradation papers, when we control the gradation of the resulting photo using filters. We use the yellow filters to reduce the gradation and the purple filters to increase the gradation.

  • Pentacon Six TL + CZ Biometar 50mm Zebra
  • TK100 + MP271
  • MG Fomabrom Variant & Fomabrom C112 + Dektol

The first photo was exposed for 4 x 3 sec. total 12 sec. The first 9 seconds were with the use of a yellow filter and the last 3 seconds without a filter on MG papers Fomabrom Variant

The second photo was a 9.sec print on ordinary Fomabrom C112 with hard gradation….

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

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