All I need for a feeling of happiness is a camera, any lens and a piece of negative.
Pentacon Six TL, 50mm Flektogon, Acros 100 II+ D800, MF 135mm Samyang




No usage allowed in any form without my written consent.
All I need for a feeling of happiness is a camera, any lens and a piece of negative.
Pentacon Six TL, 50mm Flektogon, Acros 100 II+ D800, MF 135mm Samyang
The trees by the road are wooden mannequins. It’s just that we often miss them at speed. If we find time to stop, they rewarding with wonderful scenery.
Pentacon Six TL, Biometar + Flektogon + yellow filter, Acros 100II, Kodak TMax 1:4
Somehow I missed the photos, which are not crystal clear. Even with an analog camera, you can create an unnaturally sharp photo. So I mixed the developer diluted 1: 9 (Kodak Tmax) and shot one film(Fomapan 400) at the table over the afternoon coffee. If you do not want to dilute the developer, a similar grain can be achieved at a higher developer temperature. The cherries in the last picture are hand-colored with oil paint, which I borrowed from my daughter.
Misha, Nikon F50, MF 135mm Samyang, Fomapan F400 footage, Kodak TMax (1:9),
from the unordinary forest.
D800, MF 2/135mm Samyang
something you take a picture and then you think and research what it is. I accidentally discovered something in one of the photos of condensation vapors behind the plane. And now I don’t mean the dirt on the sensor. While editing the image, I noticed a small dark spot. As I enlarged the area, it seemed to me that light was falling on it from a side other than the Sun. Maybe it’s a weather balloon, maybe E.T. he actually called home … who knows. Anyway, there was nothing in the next picture I took 4 seconds later. I used all non-destructive methods to clean up the image. And what do you see?👽😉📷
Nikon D800, MF 2/135mm Samyang, Exif : ISO125, f/10, 1/1250sec.
Nikon D800, MF 2/ 135mm Samyang
D800, MF 2/135mm Samyang …. Flexaret VI, 3,5/80mm Belar, Acros 100II …… Contax 139 Quartz, MF Yashica 2/50mm, Cinestill 800Tungsten
…East a butterfly flew to a flower near the track.
Leica R7, Vario Elmar 4,5/75-200mm, Acros 100II, Kodak TMax professional
Ennio Morricone – Once Upon A Time In The West (Finale)
sometimes I try to keep the MF telephoto lens in my hand, at a shutter speed shorter than the focal length of the lens, so that the images are not blurred. At the smallest possible depth of field, it’s a lottery. Out of 37 pictures, two were unusable … which I consider a great score 😁📷
Leica R7, Vario Elmar 4,5/75-200, Fujifilm Acros 100II, Kodak TMax professional
An excellent satirical play by Karel and Josef Čapek from 1921. It should be noted that we are far from insect behavior. We are worse …
crop, Nikon D800, MF Samyang 2/135mm
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