can be welded, strengthened, demarcated and of course wire can be photographed.
Nikon F50, 135 mm, Superia 400 switch to BW


No usage allowed in any form without my written consent.
can be welded, strengthened, demarcated and of course wire can be photographed.
Nikon F50, 135 mm, Superia 400 switch to BW
After a long time, I received a copy of the newspaper. One worse news than another … I thought about the content of the news for a while, and then I built a paper boat out of the bad news, which I let float down the river as a child. Every fleet should have an admiral. I took advantage of the moment when a butterfly, admiral butterfly (Vanessa atalanta Linné ) , landed on the sidewalk. He had no objection to my suggestions …. probably. To be silent is to agree. So I have my own fleet and admiral. I’m freaking out …but fun is simply needed! 😁📷
I use photo flashes and studio lights a lot. But most often I use a small but powerful hand flashlight. It is great, for example, for photographing portraits in the backlight It is waterproof, fits in your pocket and, if necessary, often helps not only when taking photos.
Yesterday, so as not to get wet, I only photographed the objects I saw from under the umbrella we have in the garden. I often use the Fujicolor Superia 400. Although don’t really understand with purple color, I like to take pictures with it. You can make a black and white photo of it at any time.
Nikon F50, 135mm, Fujicolor Superia 400, C41 Tetenal color
for good light and bananas and tomatoes. Yesterday, when it was raining a lot, I was still wondering what to take a picture.
Nikon F50, 135mm, Superia400
of my rock life, I kept only a few strings from my instruments. And those strings still play in the spotlight… but only I can hear their tones.
Nikon F50, 135mm MF, Superia 400, C41, switch to BW
the photo works and sometimes it fails. Today is one of those days when one should not leave the house. It’s cold and it’s raining a lot. As I get used to the intensity of the rain, the rain intensifies. So I quickly took a few remaining shots of the film and went to develope it. Even when pulling the film cassette out of the camera, I managed (thanks to the orthosis on my left hand) to somehow insert my finger through the lamellae of the camera shutter. One by one I pushed back there and it looks like everything is working as it should. After developing the film, I found out that a few images on the negative are scratched (probably due to the orthosis on the left hand again). I decided to correct one of these images in PS and I even colored him. This is not an art. I only regret any images that are unusable.
Canon EOS 500N, Sigma 70-300mm APO, Fomapan F400, Photoshop
Each tree has its own chronicle. Maybe that’s why we learned to make paper from wood 🤔👁📷
Canon EOS 500N, Sigma 70-300 APO Macro, Fomapan F400 footage
Placing any point in the golden ratio will force the observer to beholder what you want them to watch. Something makes you look at places that are not interesting at all. The magic of the golden ratio.
Canon EOS 500N, Canob 1,7/50mm STM, Fomapan F400 footage
Canon EOS 500N, Canon 1.8/ 50mm STM, Fomapan F400 footage + Nikon D50, Sigma 17-35mm, Superia 400 + D800 (intro)
The opening image consists of two images. I only had a 135mm lens with me on DSLR Nikon. So that the whole cage of the well and the roofs of the house was in the shot, I solved it by merging two shots.
I’ll add a few DSLR images before the negatives dry. Every one of my pictures carries a story. In the morning, I was fascinated by a fountain in a small town about twenty kilometers from my house. The problem was that the moment I chose the composition, the fountain always changed the force of the water flow. I’m sure someone was standing by the fountain’s remote, having a lot of fun 😁📷
Canon EOS 500N, 50mm,Fomapan F400 footage
As like a remote control, the photographer controls the observer’s eyes. The yesterday’s shots.
Canon EOS 500N + Canon 1,7/50mm + Fomapan F400 footage + D800(unframed)
and it doesn’t matter if it’s analog or DSLR. When taking black and white photos, luck is really in the right light. That’s why I often use reflector plates. As well as color filters. Each flower color prefers a different filter color. When taking color photos, I always use ND filters. Notwithstanding the fact that both Lightroom and Photoshop can do a lot of things. I need to see a good photo before I develope or edit it.
was washing the windows today. So I went to see how the windows are washed elsewhere…😉
Inspired by Soundgarden – Black hole sun
Canon EOS500N+Leica R7
Soundgarden – Black hole sun
In my eyes
Indisposed
In disguises no one knows
Hides the face
Lies the snake
And the sun in my disgrace
Boiling heat
Summer stench
Neath the black, the sky looks dead
Call my name
Through the cream
And I’ll hear you scream again
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Won’t you come
Stuttering
Cold and damp
Steal the warm wind, tired friend
Times are gone
For honest men
Sometimes, far too long for snakes
In my shoes
Walking sleep
In my youth, I pray to keep
Heaven send
Hell away
No one sings like you anymore
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come? (Black hole sun, black hole sun)
Hang my head
Drown my fear
Till you all just disappear
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come (Black hole sun, black hole sun)
Won’t you come
Won’t you come
only quick double-exposure
Sometimes we say it happened at the right time, or it happened at the wrong times, or we don’t have time. Sometimes we make time. And we’ll give it some time. Although time is just a math tool. The universe does not need time to exist. When it is, it will be. This is exactly how the universe works. I hope I didn’t stole too much of your time with this thought.
Canon EOS 500N, 50+70-300mm APO, Superia 400, C41
The weather was really bad yesterday … the rain showers gradually turned into persistent rain. So I hid in the passage and waited. At home, I then apologized to my old cameras.
Leica R7. VE 28-70mm, Fomapan F400 footage
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