test – www.razdva.net

12. 8. 202312. 8. 2023

lith & Lilith…

I spent several long nights experimenting with my own positive developer, with which I could make photographs with and without grain, black and white and monochrome, and most importantly to make it suitable for lith print… just the holy grail. In combination with the paper used, I managed to achieve quite interesting results. I used one pack of Fomabrom N 112 for testing. At the moment when it became clear that this developer, composed of three solutions, can do a lot of effects depending on the given ratios, I used Fomatone MG clasic 132 paper. Because the lith print result seems really great to me, I named this developer Lilith The basis of this developer is the excellent negative developer 510Pyro in a dilution of 1:200. By mixing the other two solutions in different proportions, we get an almost infinite number of combinations of the results in the photo 🙃🎞📷🖼

First exploration of this developer’s abilities on Fomabrom N112 papers

Nikon F4 + Nikkor f1,4/50mm
Kodak 2237 ISO 1@12 (push 3EV) + 510Pyro
Fomatone MG132 classic + Lilith(own formula of developer)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

+10

7. 7. 20238. 7. 2023

Eastman Kodak 2237…

Today I tested another great negative movie film from Kodak. It is primarily intended for copying and archiving. But it’s definitely great for photograph. I certainly could have brought a better lens… but you know me. I like to shoot with lenses that have reached their end of life and no one wants them🙃📷🎞

Contax 159 Q + cheap broken zoom maginon G 28-85mm
Kodak 2237 ISO 1,6 Push 4 EV + 510PYRO + TF2

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

+12

25. 6. 202325. 6. 2023

Variations with Pyro Plus…

I’ve been tuning the PYRO Plus positive developer this week. By adding a certain amount of pyrogallol at the expense of pyrocatechin. With some combinations of these two developing agents, toning of photographs is no longer necessary . However, the papers must be placed in the bowl with the sensitive layer facing up. Otherwise, you may see streaks from the ribbing on the bottom of the bowl in your photos🙃📷🙏

Bronica S2A + Nikon P 75mm
Fomapan Ortho 400 + yellow filter+ Agfa Rodinal 1:50,25°C
Fomabrom Variant 112 + PYRO Plus ( different variants)

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

+11

29. 5. 202329. 5. 2023

on the our garden…

Another sunny but cold day. Directly created to work with the developer Rodinal. Some time ago I managed to get hold of two bottles from the 1970s. So I opened the first one to verify that it was still perfectly functional 🙃🎞📷

Canon EOS 500N
Fomapan 100 pushed + 1EV + Agfa Rodinal
scan

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

28. 5. 202328. 5. 2023

Foma ORTHO 400…

Last week, the Czech company Foma released a new orthographic film with a nominal sensitivity of ISO 400. So I immediately bought several rolls and started to choose the developer with which I will use this negative. We were warned by the manufacturer that there is no anti-halation layer on the negative, so it will not be possible to photograph yellow in backlight. Well, I tried everything I had mixed 🙃🎞📷 –

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

7. 5. 20237. 5. 2023

Fomapan 100 push to 800…

I did another test with my two-bath MP271 developer, which advanced the Fomapan 100 film by 3 EV. The result looks pretty decent. Don’t expect any artwork though, but the result surprised me.🙃📷

Nikon F50
MF Samyang f2/135mm + Sigma f1,8/20mm aspherical
Fomapan 100 + two bath developer MP271
scanned negative

All photos are my own and copyrighted. Their use is prohibited without my written consent.MIC©

25. 4. 20231. 5. 2023

MG Fomabrom Variant vs. Fomabrom C112

I will not reveal anything new to experienced darkroom technicians. When printing photos in a darkroom, we can use photo papers in three degrees of gradation. Soft, normal and hard. Or we use multigradation papers, when we control the gradation of the resulting photo using filters. We use the yellow filters to reduce the gradation and the purple filters to increase the gradation.

Pentacon Six TL + CZ Biometar 50mm Zebra
TK100 + MP271
MG Fomabrom Variant & Fomabrom C112 + Dektol

The first photo was exposed for 4 x 3 sec. total 12 sec. The first 9 seconds were with the use of a yellow filter and the last 3 seconds without a filter on MG papers Fomabrom Variant

The second photo was a 9.sec print on ordinary Fomabrom C112 with hard gradation….

16. 4. 202318. 4. 2023

MP 271

The final version of the own two-bath negative developer was named MP 271. At the moment, it is only tested on Fomapan 100 negatives. It achieves slightly better results on 35mm negatives, which is fine with me, because this is how I radically reduce the costs of analog photography 🙃📷

In the upper part of the linear scan of the negative, it is shown how it develops the first bath.(correct,-1EV,+1EV) At the bottom of the picture is the negative after the complete chemical process .(correct,-1EV,+1EV) .

The second image is a linear scan of the negative at the correct exposure.

The following picture is from this morning in medium format

Bronica S2 + Nikon P 200mm + ext. tubes
Fomapan 100 + MP271 dev
scan

12. 4. 202312. 4. 2023

TK100 & D76(ID11) homemade

I recently tested the behavior of TK100 roll film with D76 developer. TK100 is essentially Fomapan 100, but bought by the meter. This means that you can roll a 1-frame film under the cover strip yourself, or you can roll a 220 roll if you have a camera that allows you to take up to 24 frames in the 6×6 format. Because I needed to test the Kodak D76 (Ilford ID11) developers I had mixed, I always got by with four images in a roll, for each attempt of a differently lit scene.

Bronica S2
Nikon P 2,8/75mm

The picture is taken in the dark garage of an old repair plant. However, a fifteen second exposure allowed me to capture as much reflected light as possible.